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As with any creative process, parts of the score went through multiple revisions. One well-known example is the cue "Lost R2", which scores the famous "binary sunset" scene. This scene was originally scored with a very different sounding piece that contained "Luke's theme". When Lucas heard the cue, he asked if it could be rescored with "Ben's theme" because he felt it fit the scene better.[32] It can be argued that this opened the door for "Ben's theme" to be recontextualized into what we think of today as the "Force theme". Another interesting example of the score changing was the cue "A Home Destroyed". When this cue was written, it was designed to score the end of Ben's house, Leia's torture, the discovery of the attacked sandcrawler, and Luke returning home to find his guardians dead and his home burned. While Williams was writing the score, the film was re-edited so that the board room scene would occur where the torture scene used to be. This caused the cue to be split in half. The first 14 bars were recorded by themselves with a newly written ending featuring the "Death Star theme" for the transition to the boardroom scene. Then a second cue was recorded, being made up of bars 31-71 (attacked sandcrawler and burned homestead scenes) and bars 17-30 (Leia torture scene), with some new transition material written to join them.[38] This isn't the only time editing of the film would require changes to the score, but it is one of the only examples where a re-edit resulted in the score being changed before it was recorded. The rest of the edits were done too late, and the remaining score changes were left to be made artificially by Ken Wannberg.[35] After the writing of the score was completed, the orchestrations were performed by lead orchestrator Herbert Spencer, who was assisted by Arthur Morton, Angela Morley, Al Woodbury, Alexander Courage and Williams himself.[37] 2b1af7f3a8