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THERE IS NO JUSTICE (2013) **** A black and white, 16mm documentary, this tribute to civil rights activist James Meredith, tells the story of him and his family and the civil rights movement in the United States. Director Randall Wallace introduces the film and provides an overview of James Meredith and why he was chosen to be the first black student at the University of Mississippi. The film focuses on the events leading up to the day James Meredith arrives at the university, the students' reactions to him, and the events that lead up to his ultimate acquittal. One of the most important films of the year.
THE X FACTOR (2013) **** In the first real film about the X-Factor, Simon Cowell, the organiser of Britain's version of American Idol, is forced to defend its controversial method of selecting talents by casting-out judges. The documentary also investigates the atmosphere in which Cowell makes his quick-fire decisions about which contestant to send through to the next round. The X-Factor has been a major ratings success, but critics and some fans complain that the show's blind, instant elimination (which is near-instant at times) is unfair. The film is a journalistic insight into the show, the process of choosing songs, the dynamics of the judges and competing artists, and the all-important chemistry between the contestants and the viewing public.
DARK HORSES: A FEATHERED TRIP TO A THRASH & HAYWIRE DINER (2013) **** Cameron Crowe, director of THE LAST SINGER, tags along on the adventures of the reunited 1990's band Thin Lizzy and their ex-lead singer, Scott Gorham, who has a few things to get off his chest before heading into the studio to record the new album, their first in years and first release on a new label. Crowe as always is both the storyteller and the filmmaker, finding the backstories behind the band's early history, and of course, Gorham's insecurities, addictions and emotional turmoil. While the film is not about the music, it is a fascinating look at a band and a singer too often forgotten and overlooked because of the time and place they were played at, and its the focus on those people and their lives in that moment that makes Crowe's film so real and relatable. While most documentaries are about the music, the journey of making it and the people involved, the focus here is more on the people and the time, the context and the place, really just the life, the humanity. This is a beautiful documentary, a cinematic love story, and one that is recommended for any music aficionado who loves rock, punk, heavy metal or alternative music in general. Crowe's ability to fuse music with drama is second to none. This is a must see.
When you're looking at a multi-band equalizer, it is first important to understand that audio processing is an anisotropic, and not isotropic, operation, meaning that the process is applied in a different manner depending on the direction a signal moves through the filter. iZotope's Neutron EQ module was designed to be an isotropic, or same-direction, filter, meaning that it operates in the same manner regardless of the direction a signal moves through it. So, for example, a band that is narrow near the upper frequency of a guitar signal will behave the same, regardless of whether that signal is moving toward or away from the speaker. 827ec27edc