Where To Buy Tapestries In Nyc

Where To Buy Tapestries In Nyc

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Philippe de Montebello, former Director of The Met, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and its many influences and highlights significant works of art in the collection.

Upgrade your room with a wall tapestry! The perfect accent to liven up your apartment or dorm. Our tapestries are versatile and durable, so you can even use it as a lightweight sheet to lay out at the beach or the park.

Together, the tapestries incorporate familiar aspects of unicorn lore into a traditional medieval hunt. The animal is bearded with cloven hooves, a milk-white agent of spiritual or medicinal purity. Its horn can heal wounds and purify water: In one panel, The Unicorn is Found, the creature dips its appendage into a stream, making it safe for men and other animals to drink.

(In the previous hanging, The Unicorn is Killed and Brought to the Castle, the creature has a wreath of oak, hawthorne, and holly around its neck, further suggesting its reference to Christ resurrected in the final tapestry, where the unicorn sits in a blooming garden resembling paradise.)

The provenance of our tapestries is nothing short of illustrious. Arader Galleries is proud to present an in depth research from Robert Simon about our Gobelins Tapestries display at our Gallery at 1016 Madison avenue, New York

After they returned to Holland, Maurits, nicknamed \"the Brazilian,\" commissioned Eckhout to produce a series of paintings showing the wonders of South America. Probably, the cartoons for the Old-Indies tapestries have been painted by Eckhout around 1647 in Amersfoort, Netherlands, and used by the tapestry maker Maximilaan van der Gucht, Delft, for the weaving of two very early tapestry series for the Elector of Brandenburg and for Maurits of Nassau himself; but all these tapestries have disappeared since then.

In 1679 Maurits gave eight large paintings together with some smaller paintings and other valuable objects to Louis XIV. The Gobelins Tapestry Manufactory used them as cartoons for a series called Tenture des Indes / Anciennes Indes (Old Indies tapestries). The cartoons which had already been used, needed some slight repair, but Eckhout's work has not been altered substantially. From 1687 to 1730 eight series and several extra-pieces have been woven, some on low-warp looms, others on high-warp looms. The wall-hangings of the first five series (\"Grandes Indes\") are higher than those of the last three (\"Petites Indes\"), which are surrounded by a more elaborate border. The modifications were made by Alexandre François Desportes, who at that occasion took sketches after these cartoons, which are now in Sèvres, Cité de la céramique (formerly Manufacture nationale de Sèvres). This was a lucky hazard, because in 1735 Desportes was ordered to paint new cartoons after those created by Eckhout. The first cartoon was exposed in the \"Salon\" in 1737, and in 1740, the first tapestry of the so-called \"Nouvelles Indes\" (\"New Indies tapestry\") was put on the looms.

The titles of the eight Old-Indies tapestries are:- Le cheval rayé (The Zebra), Les deux taureaux (The Two Bulls), L'Éléphant ou Le cheval isabelle (The Elephant or The Isabella Horse), Le chasseur indien (The Indian Hunter), Le combat des animaux (The Animal Fight), Le roi porté par deux maures (The King borne by Two Moors), Le cheval pommelé /or L'Indien à cheval (The Indian on horseback /or The Grey Horse) and Les pêcheurs (The Fishermen).

The Gobelins Tapestry Manufactory (Manufacture Royale des Gobelins) was responsible for the finest woven tapestries produced in Europe during the seventeenth and eighteenth centuries. In 1662 Jean-Baptiste Colbert, later on Louis XIV's minister of finance, took over the Gobelins manufactory on behalf of the Crown and its official title became Manufacture Royale des Meubles de la Couronne (Royal Manufactory of Furniture to the Crown).

The first director, Charles Le Brun, orchestrated numerous craftsmen, including tapestry weavers, painters, bronze-workers, furniture-makers, and gold- and silversmiths, who supplied objects exclusively for the king's palaces or as royal gifts. Only the finest of artisans were employed by the Gobelins. As a result of financial difficulties, the manufactory was forced to close in 1694, reopening in 1699 but only to produce tapestries. Among all the tapestries, the set of Tenture des Indes enjoyed the greatest success.

References: Charissa Bremer-David, \"Le Cheval Rayé: A French Tapestry Portraying Dutch Brazil\", The J. Paul Getty Museum Journal, 22, 1994, pp. 21-29. Charissa Bremer-David, French Tapestries & Textiles in the J. Paul Getty Museum, Los Angeles 1997. Maurice Fenaille, Etat général des tapisseries de la Manufacture des Gobelins depuis son origine jusqu'à nos jours (1600 - 1900). Nello Forti Grazzini, \"Le Indie Tessili: Arazzi di Malta\", FMR (Italian ed.), No. 128, June-July 1998, pp. 37-74 (English ed.: FMR/International, No. 92, June-July 1998, pp. 37-74. Nello Forti Grazzini, \"The Striped Horse\", in Thomas B. Campbell, ed., Tapestry in the Baroque: Threads of Splendor, catalogue of the exhibition (held in New York and Madrid, 2008), New York-New Haven-London 2008, cat. 48, pp. 390-97. M. Jarry \"The 'Tenture des Indes' in the Palace of the Grand Master of the Order of Malta,\" The Burlington Magazine No. 666, 1958 pg. 306-11. Gerlinde Klatte, \"New Documentation for the \"Tenture des Indes\" tapestries in Malta,\" The Burlington Magazine, No. 1300, Vol. CLIII, July 2011 pp. 464-469. Période Louis XIV (1662 - 1699). Paris 1903, p. 376, illustrates a weaving from the workshop of De la Croix, 1689, now in the Mobilier National, Paris. The whole series is to be seen in Jean Vittet, Arnauld Brejon de Lavergnée, La collection de tapisseries de Louis XIV, Dijon 2010, p. 402 - 407. P.J.P Whitehead, A Portrait of Dutch 17th century Brazil, Animals, Plants and People by the artists of Johann Maurits of Nassau. Amsterdam, Oxford, New York, 1989.

When considering who to trust as your new tapestry cleaning company, there are several things to keep in mind. A good tapestry cleaning company will know how to analyze your tapestries and determine the best method for cleaning and preserving them. Regardless of the approach used, it is important to keep in mind that routine and proper tapestry cleaning is necessary to preserve the look and life of your tapestry. A good tapestry cleaning company such as Oriental Rug Care NY will analyze your particular tapestry and determine the best approach to be taken by the experts at the tapestry cleaning company. A good tapestry cleaning company also knows the importance of cleaning your tapestry often and with care, and can show owners the best means of caring for their tapestries between cleanings. If you have been searching for a tapestry cleaning company that provides consistently high quality work you can always depend on, look no further than Oriental Rug Care NY!

The experts at a tapestry cleaning company know that tapestry cleaning and maintenance must be consistent to keep your tapestry in top condition. In homes which are dusty, stuffy, or riddled with pet dander, you should dust and vacuum tapestries at least twice per month. You can remove dust with a vacuum that has good suction. By clearing the dust away regularly, you will reduce the amount of dirt that settles onto the piece, thus reducing the frequency of the need for a tapestry cleaning company.

Tapestries can be made from different materials such as wool, cotton, or silk. Knowing what the tapestry piece is comprised of is essential prior to any type of cleaning. Consult the manufacturer's guide for tips on caring for your tapestry. Having this knowledge beforehand will help the tapestry cleaning company professional to better meet your needs. Even water can damage tapestries made of certain materials. Don't depend on all tapestry cleaning company technicians to know when in doubt consult the care guide or contact the company directly. If stain removal is what you need, it is almost always better to consult a tapestry cleaning company. Not all stains are created equally. Often times, the material of the tapestry, as well as its age, condition, and value, will determine the methods most suited to cleaning. If your tapestry is stained, do not attempt to extract the stain yourself. Blot up as much of the stain with a clean white cloth as you can, and then call in a professional. If you are confident you can remove a stain safely do so but only after testing your cleaning solution in an inconspicuous location on the tapestry. Still, it bears repeating that in cases like this, a tapestry cleaning company really is the best choice.

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that were woven over 100 years ago, are highly sought after collectible items with examples displayed prominently in many museums around the world.

While some wall tapestries can date to the biblical era, most of the great examples known today are from the medieval or Renaissance periods of history. Nobility and wealthy patrons commissioned tapestries depicting scenes or images of importance. These weavings served as a large-scale mobile art piece which would have been displayed on the wall of a castle or home and was easily transportable from home to home.

Many of the surviving antique tapestries depict religious and / or historic events. For example, a king might have commissioned one with a scene depicting a great victory in battle. As the king moved to his various palaces or castles, the tapestry could be moved along with him as well.

Antique tapestries vary in size, and range from items that would cover a single wall of a small room to major works that are massive in s